#49: Carry-On (2025)

Quality suspense thriller elevated by Jason Bateman as villain, with particularly impressive voice work.

#48: Black Bag (2025)

Shockingly cerebral (in that it’s really smart but doesn’t have much of an emotional pulse) for a movie that supposedly hinges on a married couple and several dating couples. But I found it compelling to follow the mysteries and see what is going on even though it cheats a little (in that we often don’t have enough information) but I was never mad at it about that if that makes sense – it’s just not one where you can figure out the movie in advance. But it was crafty and witty and very enjoyable on that level. I think Fassbender only plays spies now?

#47: Novocaine (2025)

I love a movie that takes the time to do the little stuff right –

“Is that one of the robbers?”

“Hope so. It’d be a shame if it was the real Santa.”

And I’m on record as being a big part of the Jack Quaid Army. He really is the best, nepo baby or not. And the plot is better than it has any right to be too.

#46: Borderline (2025)

What a fabulous silly little trifle of a nonsense movie. Really great performances by everyone too. Samara Weaving is excellent, Eric Dane is just exactly the right amount of serious with just a tiny little bit of winking, the actress playing Penny (Alba Baptista) is really really great in her insanity, Rhodes (Jimmy Fails) is shockingly loveable, just big big fun, way to go everyone.

#45: Final Destination: Bloodlines (2025)

Has a lot of fun with it. The Julia death was particularly amazeballs. And all the setups were great and it’s just so much fun. And the characters are so well realized in a movie where they really didn’t have to be. Every single moment is treated like life or death – walking through the revolving door – SCARY!!! So much better than it needed to be. And the perfect ending. I feel bad that I couldn’t rank it higher but this was a pretty stacked year.

#44: Brokeback Mountain (2005)

Yeah, come on, like I have anything to add to this discourse. Beautiful and tragic.

#43: Secret in Their Eyes (2015)

Holy fuck that was dark as shit! Mad respect to Julia Roberts for playing the most unglamorous character possible – total depression, all-consuming grief, no markup, bad haircut, no glam, no nothing. Especially brave with Nicole Kidman in your movie! Really well done.

Up Next: Movies Somehow Even Better Than This

#56: Vicious Fun (2020)

Silly low-budget Canadian horror/thrillercc, which will always have a special place in my heart for implementing the “Never Stop Stabbing” protocol at the end. The bits where they were just making fun of various hitman tropes were also fun. I would enjoy watching the further exploits of the badass and her idiot intern.

#55: Conclave (2024)

Clear at all times that it’s based on an airport book, but it was very well done, especially the suspenseful score that keeps everything on track. Excellent performances all around from a pretty stacked cast. Plot keeps moving quickly, although the ending was pretty obvious from early on – yet almost wholly unthinkable in reality – NFW would someone not thoroughly vetted become pope.

#54: Amour (2012)

Crushingly, heartbreakingly realistic show of a loving couple where one of them suffers a bad stroke and gradually (and then all of a sudden) gets worse and worse and the other just keeps having to be the one who copes. He never seems to resent it, but it’s not what either of them wanted and that is extremely clear. Very well done, just not something that I particularly felt the need to watch a dramatization, even though the ending is about as well done as it possibly could have been.

#53: Saturday Night (2024)

Surprisingly entertaining, and not just for the characterizations.  Like Will Leitch, I just enjoy shows about the process of work and somehow knowing that all the chaos is going to work here both short-term and long-term makes it just fun to watch and enjoy seeing the characters bounce off of each other without it being as tense as it might be.  And yeah at the last minute everything gets pulled off a little too neatly but hey, it’s a movie – and from what I understand, pretty much standard operating procedure for SNL.

#52: KPop Demon Hunters (2025)

Actually good, which amazed me at the time, but is not surprising in retrospect when I learned it was the Spider-Verse team behind it.  Songs were fun, animation was great, and there was even a plot!  Obvs Derp Cat and Demon Pigeon were the best. #SajaBoys4Ever

Yes I know I rated this above Amour, don’t pretend you’re surprised.

#51: Her (2013)

A horror story made out to feel like a romance. Incredible performance from Johansson, who I have really come to appreciate this year as an actor, but holy crap what a terrible dystopia. His own job is outsourcing human connection! Terrifying! (If only more people felt that way I guess)

#50: Predator: Badlands (2025)

How Fun! Elle Fannning continues to impress in what could genuinely be an Oscar-level performance (but will of course never get a nomination). Much funnier than I thought it would be, without sacrificing the good action AND a stealth Alienverse movie (Hooray for Weyland-Yutani!). Loved the last line too. I have a lot of questions about the Yautja society – for one thing for a species that prides themselves on being, well, predators, they sure as heck don’t care about a fair fight with all their tech – the dad in this movie is not afraid to wear his invisibility cloak and all his weapons and surprise to trap and trick his kids and they don’t mind using their fancy weapons from a distance. Also, if everything in society is about hunting and killing, who is developing the tools? Maintaining the ships? Feeding them?

Three posts in four days? What is going on here? Am I ok? Who am I? This is not my beautiful house!

#62: The November Man (2014)

Well done movie, where the twists were obvious but still pretty good. It’s amazing how a well-put-together and competently directly movie with a decent plot can just put you in a groove. Anyway, Pierce Brosnan sure has made a third career out of playing retired spies dragged back in hasnt he? This is definitely one of the better ones. And it was very nice to think of a world where someone’s eyewitness account of terribleness could end a political candidacy isnt it?

#61: Unknown (2011)

Interesting setup for some by-the-numbers Liam Neesons action in a mixed (and lost!) identity thriller with an extremely satisfying resolution. Without giving too much away (although I mean the movie is 15 years old so ya know), sometimes it’s the simplest-seeming movies that can sneak up on you.

#60: Boyhood (2014)

Unlike a lot of bloated 3+ hour movies (cough, Toni Erdmann, cough) this one really needed its whole running time to give deeper meaning to everything this family went through.  I preferred the half with an older Mason but I totally get why it had to have everything that came before.  Anyway, this may be the most written-about movie of the century so you can probably find a more thoughtful take pretty easily.

#59: Dead President Now! (2025)

It’s all too easy to get me outraged with these stories, and I know that is often the point, but this was a very compelling tale told well. And if there were some unambiguously bad people (Jane Spilman), well if we have learned nothing it’s that there are plenty of unambiguously bad people.

#58: Zhou (Incantation) (2022)

Super freaky (yow!) and extremely chilling. If it was 10% more interested in being scary and 20% less melodramatic about the mother-kid relationship it would be legit great. (Ok and if there wasn’t the weird part where the dude with no reason to trust her AT ALL decides against all his knowledge and best interest to just go on the run with them). But very spooky and even the big reveal ends up being pretty cool after being built up so much. A nice addition to the horror canon!

#57: Le Fabuleux Destin d’Amelie Poulain (Amelie) (2001)

Delightful movie about a nice weirdo who dedicates her live to making every else’s a little bit better and then manages to overcome her trepidation to make hers a little better as well. May have risen in the rankings because I watched it right after some very very dark stuff (to come later in the rankings).

Up Next: Surely I Can’t Keep this Pace Up Right? I Mean the Baseball Playoffs Are About to Start Too.

Two days in a row??? I better slow down, I don’t wanna wrap this up too fast!

#68: Don’t Move (2024)

Quality thriller with a good hook and a great main concept. Sometimes it’s not any more complex than that.

#67: Desaparecer por Completo (Disappear Completely) (2022)

You want existentially horrifying? We got your existentially horrifying right here, buddy! As our main character loses his senses we lose them in the film and you can’t help but think about being in that situation. I cannot recommend in good conscience due to dog murder (sorry not sorry about that spoiler) but the movie kind of messed me up and I couldn’t stop thinking about it. I also always like a supernatural movie where you don’t really get an explanation; the hex just works man! Quality ending also. Too bad about the dog.

#66: Deep Cover

So much fun!!! Not only better than it had to be, but frankly better than it had any right to be. The concept had enough legs to it that it should’ve been a series, and I almost always think that things should be shorter, not longer. Great performances! Even Bryce Dallas Howard, shockingly. Apparently she can act, she just usually doesn’t bother.

#65: Toni, en Famille (2023)

So, I only watched this because I thought it was Toni Erdmann (waayyyy back at #262) and, not having known anything about that movie I figured yeah I can see how this is rated so high and is so well regarded. Imagine my disappointment when I realized my mistake and watched that terrible garbage.

Anyway, this is just wonderful. Each of the kids is an individually fully-realized character, and there is so much love – even though neither Toni nor any of the kids are perfect they are trying and growing and learning. Toni is not really at all sad about her life, even though she has no help with her brood and no time for anything, but she wants to do something good for herself too (especially because she didn’t get to as a kid either), and there are ups and downs and there is one dramatic moment I didn’t care for but in general everything is just nice fully real people living life the best they can. Camille Cotton was a revelation (to me, anyway – apparently and unsurprisingly she’s pretty well known in France).

#64: Get Away (2024)

LOL that was awesome. Pitch-perfect little satire of folk horror as they go to the extremely creepy isolated Swedish island with its….peculiar….rituals. I have additional thoughts upon request for anyone who has actually seen this (approximately 14 people from what I understand).

#63: The Interpreter (2005)

Really good! Not Sean Penn’s best role but maybe Nicole’s second best (after the great To Die For, of course). Quality triple fake-out with enough going on to raise plausible possibilities so that you never fully know what’s happening until the end. Entertaining!

Up Next: Don’t Worry, I’m Sure I’ll Wait At Least A Few Weeks Before Posting Again

Right right right, better get back on this if I have any hope of finishing before 2027….

#74: Mr. Right (2015)

Amazing, really, that there was a movie starring Anna Kendrick and Sam Rockwell and it took more over a decade for me to watch it! Silly, silly fun, and of course the leads are great. The plot details are silly but it’s a highly enjoyable little trifle.

#73: Un Prophete (2009)

A young man goes to prison and gradually rises up to become, if not a kingpin then something close to it, as he learns to work every possible angle – learning from prison in a way that he never had a chance to on the outside. Oooooohhhhh, deep man, Its long but it uses the length effectively to build both a mood and a feel of the time very gradually passing as it must in prison.

#72: Twinless (2025)

Talk about an original idea! really interesting, great performances, really fun tone – it’s kind of several ideas in one, and the big reveal (and its fallout) was fascinating.  Marci really pulls the film together.

#71: Caught Stealing (2025)

Got generally poor reviews, but I liked it! One of the most realistic-feeling portrayals of how someone would act in this situation – go to the cops, not trust anyone, panic panic panic – not coming up with the most complicated and perfected little scheme but just trying to make things work for the love of god so that he can survive and can nobody just give me a freaking second here to think??? And the business with the girlfriend is also extremely well done. Just a really good character even if the situations he’s placed in are more than a little on the ridiculous side. The Hasidic characters are a LOT of fun, and everyone else is very believable

#70: To Live and Die in L.A. (1985)

Beautiful 80s throwback counterfeiting (?) thriller, complete with great Wang Chung (!) soundtrack! The hero’s partner even got murdered 2 days before his retirement!  He hates his new by-the-book partner!  Dance interludes!  Willem DaFoe! A ludicrously implausible chase scene where the bad guys would’ve needed 3000 minions minimum to pull off all the ambushes and sabotages. The classic noir hero-turns-into-a-scumbag portion of the plot would’ve been more interesting if they hadn’t set him up as kind of a jerkass all along. Ending was bold though, especially for 1985!

#69: Before Sunset (2004)

Finally watched these – this was very nice but I preferred Sunrise – this is the more mature version (since the characters are more mature, duh) but it’s so filled with regret at its core and it’s sad. Two really good things – one, they don’t remember the details (including some fairly important ones!) of Before Sunrise correctly (which I know because I just saw it) which is so very very real, and two the connection that these two have with each other is undeniable and also they don’t even try to deny it, which is just right. Okay, three things – I kind of love how it ends – just trailing off as it resolves how we were hoping it would (although as an old prude fuddy-duddy (technical term) he really should’ve broken things off with his wife first).

Up Next: More Very Good Films, This Time Without Waiting a Month or More Before I Post, Hopefully

#81: The Tailor of Panama (2001)

It’s so difficult to watch any kind of older political film in our current authoritarian age. Am I nostalgic for the time when an unscrupulous layabout spy could manufacture a crisis just for his own career advancement? I very much am, I think? Anyway as to the movie, good performances, I liked a lot that he got away with it in the end by just paying off the right people. Excellent spy drama.

#80: The Fantastic Four: First Steps (2025)

Really loved the world building; like A++++ to the creatives and overseers in charge of that. Having said that, there was a pretty vast disparity between the two halves – the intro was definitely the best because it was focussed on the world and the characters. Not that the second half was bad but it was less fun and I’m not wholly convinced about their ability to have beaten Galactus and such. HERBIE was great even though I was suspicious of him going in. 3 of the 4 had very nice acting performances (johnny obviously needed his mustache).

#79: Strangers on a Train (1951)

So much more tennis than I expected! Not to mention the terror of the out of control merry-go-round! Nooooo!!!

Anyway, it’s obviously a seminal text in the whole mystery genre, and I have already gone into the whole Wow Patricia Highsmith Sure Was Terrible stuff. Otherwise the script is solid and the idea is incredible. It’s just that, knowing the Big Idea makes for a somewhat lesser movie-watching experience.

#78: Inside Llewyn Davis (2013)

The Coens do like their characters to suffer, but it’s so much more tolerable here than A Serious Man in that most of Llewyn’s problems are self-made. He is treated poorly but he is largely primarily to blame himself – he’s talented but constantly getting in his own way by feeling aggrieved or just generally being an ass. The period is perfectly realized and the singing and performing is great. The cat, whose name turns out to be Ulysses of course, is just fantastic. I liked the little stuff a lot – you know the instant he agrees to be paid immediately instead of having royalties for the idiotic song you know it’s going to be a hit, but it’s just incidental when it comes up and they don’t make a big thing about it.

#77: Heads of State (2025)

Yes, I just put this Amazon action comedy ahead of the Coen Brothers, what of it? You know this one has Idris Elba, right?

This is quality mindless fun. I assume they thought the country would be going in a different direction when they made the bad guy the VP who expressly campaigned on “America First” and a big part of her plan was to get rid of NATO. Actual tough guy president / prime minster has always been a wish-fulfillment thing, but it is nice to see Cena and Elba kick some ass. Although the best part was definitely Jack Quaid’s insane scene where he killed a whollllle bunch of dudes.

#76: The Mist (2007)

The Feel-Good Movie of 2007!

Like all the best King it’s more about the people than the monsters (obviously, The People Are The Real Monsters). Marcia Gay Harden plays an awesome villain. The monsters are bad enough that I can see why people would explore…ummmmm…other…..alternatives. Grimmest possible ending, wow

#75: Ich Seh, Ich Seh (Goodnight Mommy) (2014)

The feel good movie of 2014!

It’s pretty obvious what is going on more or less from the beginning but what you don’t know ia just how far they’re going to take it. Turns out – really far!!

Up Next: Quite Good Movies!

#88: Rebuilding (2025)

One of those “Desperate Person Tries To Work Things Out For His Family” movies, but definitely one of the better ones. Lovely without being saccarine, music was just right to convey the mood without being overbearing. Lily LaTorre was great as the young girl. Facing hard things without despairing and hoping for the future, but it a way that felt honest and realistic.

#87: 28 Years Later (2025)

Kind of an anthology of meditations about the post-zombie apocalypse? I really like the weird, slow, thoughtful Ralph Fiennes section that was totally unlike anything else in the movie. Otherwise more of a general setup for the other two movies to come.

#86: Wicked Little Letters (2023)

Delightful. Coleman, Buckley, and Vasan are all just perfect. Watching anything set in that time period is always somewhat enraging (Women? With opinions??? Why, next they’ll be wanting rights!) and the father character is infuriating but it’s a fun little trifle of a movie.

#85: Monolith (2022)

Really excellent one-woman horror/scifi/mystery. With satisfyingly just the right amount of (lack of) explanation of the core mystery. Not that it’s all breathtaking or anything, and I don’t want to build it up too much, but I don’t want to say anything else.

#84: Tag (2018)

Wholesome silly fun.

What, sometimes that’s really all I have to say. Maybe Renner;s best action performance?

#83: My Old Ass (2024)

Sweet and funny and sweetly funny and funnily sweet, anchored by a great lead performance by Maisy Stella and a perfect smaller role for Aubrey Plaza.  Very Sundance, which you know appeals to me – people learning to make peace with themselves and live for today.

#82: Bernie (2011)

This speaks to me because I know these people – not the main characters but everyone else is just like someone I know from small Texas towns. Bless their hearts. Black, MacLaine, and McConaughy are all just excellent as the more outrageous characters that are themselves just heightened versions of the same. I can almost believe that this is a story that actually happened more or less like Linklater portrays it (which, you know, is indeed what he claims).

95: Last Breath (2025)

Surpisingly compelling, notwithstanding that the above picture is a fair representation of the movie’s action. Tight 90 minutes and the world was never once threatened, which was a nice change. Since this is allegedly based on a true story I’d like to know how someone survived for 40 minutes without oxygen? Presumably because of the coldness of the deep ocean? The movie hints toward “it’s a miracle” which, you know, ugh, but it doesn’t push it far enough to be too annoying.

94: Sum of All Fears (2002)

OK so I guess it could be worse than 2026 America? Obviously I knew about the explosion but I always thought it was at the end not the middle of the movie, so that was a surprise. Solid thriller, amazing that I had never seen it before. Strong performances, especially Affleck’s young Jack Ryan

93: Universal Soldier: Day of Reckoning (2012)

Total mind fuck of a movie disguised as an action flick. What a crazy ass film, even though it never really explores the batshit crazy philosophical stuff that it dances through while laughing its gob off. Fantastic ending too, hee hee hee.

92: Gretel and Hansel (2020)

Shockingly good! Man, Osgood Perkins and I are just on the same wavelength (which is scary to contemplate TBH). Really cool retelling, although not really a retelling so much but a springboard to explore other issues. Great performance from Sophia Lillis.

91: Jurassic World (2015)

I love that the character they brought back from the original was BD Wong’s scientist. Bryce Dallas Howard is terrible – wooden, blah; darn nepo babies. Otherwise the whole thing is pretty solid – much better than the reputation would suggest. Mostly a remake of the original but hey the original was great. I will say that the people are ridiculous morons for not embedding an explosive device into the Megakill Ultra Dino or whatever the hell they called it. Pratt actually has an honest to god movie star turn here too. It’s on the edge of making this a legit horror movie at points – the early scene with the baby pterodactyls is a lot of scary fun. Every moment that Jake Johnson is on screen is a delight too.

90: Nouvelle Vague (2025)

What a weird (but pleasant) little movie. Basically a you-were-there documentary of the making of Breathless but done entirely in 2025 with new footage. Shot in the same ratio with actors looking startlingly like the real world characters they are portraying. I greatly enjoyed it, but if you don’t think that watching a black and white French movie about a black and white French movie then you should feel free to move along.

89: The Falling (2014)

My quest to see all of Florence Pugh’s movies advances! But this is actually quite the star turn from Maisie Williams. I like that they were not disposative on whether the faintings were real or not. Lydie was clearly in love with Abbie which makes the rest of the movie pretty clearly about her coping (or not) with the grief and loss. The brother is revolting beyond words to an extent that I wish he hadn’t been in the movie. I kept finding myself thinking about this for a while afterwards, which is a good sign.

And now we reach the Certified Good Movies ™. The ones that I rather liked and would easily recommend, but which were not in true competition for the Top Ten (they must be so disappointed).

#102: Predator: Killer of Killers

Having said all of that, this is a bit of an over-rank. If these lists were not absolutely immaculate and perfectly considered in every way, one might almost be moved to suggest that this animated trifle was forgotten earlier and thus shoved into the list upon discovery of the oversight.

But anyway, since that is clearly impossible, let’s just say that while this is the lowliest of the group, it’s solid entertainment with quality animation that broadens out the while Predator universe, in which I am quite surprised to find myself suddenly invested.

#101: Bubble and Squeak (2025)

Cabbages!

Very funny absurdist satire. Having Matt Berry in your movie is like a secret superpower – he strikes just exactly the right tone and is used just exactly the right amount. Impossible to have a bad movie when you get that right. On top of that, they nicely subverted expectations and got actual laughs, and ended with a nicely thought-out epilogue even.

#100: The Conjuring: Last Rites (2025)

These films are so competently done and are Vera Farmiga (and Wilson) are so good in them that it makes them worth watching even though (I) the “official” nature of them tries to make everyone so perfect that it takes a lot of the interest out of things that would otherwise be right there for a taking, and (II) I generally have an issue with religion-related horror because it’s kind of inherently self-defeating – the presence of demons and devils implies the presence of a loving god and an eternal afterlife, which makes the life-and-death stakes of the movies much less impactful – Oh no, Father George is dead! I guess he’s off to get his eternal reward!

Anyway, this is one of the better ones even though (x) the specifics of the haunting / demon don’t really make any sense, and (y) it could’ve been almost great if there was room to interrogate the Warrens as anything less than completely pure. Bonus points for casting Mia Tomlinson, obviously.

#99 Premonition (2007)

Interesting. Great Sandy Bullock performance as always. I think I would’ve liked it more of they didn’t try to explain everything by way of the mystery priest who was wayyyy too in to the paranormal. Solid plot / mystery even with the priest and the time paradox where the inciting event would never have happened but for her knowledge of the inciting event. Felt emotionally true even if it didn’t really make logical sense, which is better than the other way around.

#98 Eagle Eye (2008)

Silly overblown SciFi nonsense about an all-poweful uber-AI that nevertheless can’t do more than 1 thing at a time. Thank goodness for that, or we’d all be screwed! But it’s a lot of fun; very clearly not something to be taken seriously and thus a super fun silly little trifle. I wonder what their car-destroying budget is – presumably more than the full budget of most movies! Billy Bob Thornton is particularly great and is given a lot of excellent lines, to wit: “If I don’t get some answers soon you’re all going to be demoted to something where you have to touch shit with your hands”

#97 Le Salaire de la Peur (The Wages of Fear) (1953)

Much better than the later US remake Sorcerer – much clearer vision about fear and how people deal (or fail to deal) with it and living with the after-effects. Ending is a bit trite, but that’s par for the course for a ‘50s movie. And before that the tension is cut-with-a-knife level.

#96: Croupier (1998)

Grim as hell.  I liked it a lot, but it’s all mood and character (which is excellent). Fantastic performances and great job building the world of these characters. The plot doesn’t really hold together – the dad’s plan doesn’t make any sense – but that’s a venial sin not a mortal one when everything else is this good.

Up Next: More Goodness!

#110: Öldürdügün Seyler (The Things You Kill) (2025)

Very interesting look at a culture I’m not very familiar with. Crafty job with the twist too – I even wonder if it was supposed to be a twist or if someone more versed in the style of Tukish cinema would have known it immediately. More interesting than engaging.

#109: Fight or Flight (2024)

Flagrant ripoff of Bullet Train (itself not the most original of movies) but it was cute! Hartnett was fun and they learned in early to the obvious tell on who Ghost is rather than trying to keep that a mystery. Very thin and honestly they should’ve tried less hard on the plot and just let the fun cook and cut 20 min from the run time.

#108: Presence (2024)

Interesting conceit but the villains are so clearly villainous that it loses something. The main mystery is who the ghost is, but I’m not enitrly sure I care so much. Oddly unemotional given the storyline, but fascinating to see the ghost story told from the perspective of the ghost.

#107: Freaky Tales (2025)

Now those were some FREAKY tales!  Fun deliberately low-fi silly nonsense, 3 of 4 segments were great silly fun (oddly the one featuring great actual actor Pedro Pascal was the definite weak point – probably because they tried to write that part more seriously and give it real meaningful stakes instead of being silly) but the real winner was the bizarre Tom Hanks cameo scene with the Top 5 Underdog Movies. Otherwise watching nazis get their shit fucked up is always a rollicking good time, and even more so when it’s done by Sleepy Floyd (?!?).

#106: Fish Tank (2009)

Wrenching portrait of a girl in a terrible situation with no good options and spiraling fast down into a pit she will likely never be able to get out of. Extremely well drawn main character and Katie Jarvis is perfect in the role, but I spent the majority of the movie waiting for the first terrible shoe to drop and then once it did waiting for the second one. Pretty obvious what this guy is all about. This poor girl’s life is nothing but misery all the damn time, pure freaking misery – until the last scene which I, frankly, think is a little too optimistic after everything that came before?

#105: Set It Off (1996)

I like it more the more time passes since I saw it, which is very unusual for me. My notes from the time are not very glowing, but when I think of it now I think of some great performances (particularly Pickett, Elisa, and (somewhat surprisingly) McGinley) and while the plot is somewhat cliched it rings emotionally true. The political stuff is underserved – I wish they had pursued it further or not really brought it up. But a good movie.

#104: Slither (2006)

Like pretty much all Gunn movies, it does all the little things really well. Overall fun and disposable, a little more gross than would have been ideal, but you can definitely see the younger Gunn working through themes and motifs that would become important in his movies.

Up Next: A Slightly Better Quality of Movies